Čotar
Čotar

Karst originals from Gorjansko — underground élevage, zero filtration, pure Kras tension.

snapshot

Region: Gorjansko, Kras (Karst plateau), Slovenia — just a few kilometres from the Adriatic

Style: Dry, savoury, mineral wines with serious texture — maceration whites and structured reds, always energetic, never “polished”

Grapes: Vitovska, Malvasia Istriana, Sauvignon Blanc; Teran plus Bordeaux varieties for blends (Terra Rossa)

Farming: Organic farm, low yields, late picking for phenolic ripeness — vineyard work built around resilience in a rocky, windy landscape

Winemaking: Wines move deeper and deeper into an underground cellar; spontaneous fermentations in 200–2000L barrels; no added sulphur until first racking; long ageing in old “wine-soaked” oak

Signature: The Kras imprint — salt, stone, and grip, with a calm, slow-release depth

 

“Our wines are recognized by their fingerprint labels… The fingerprint is the winemaker’s symbolic signature.”

ČOTAR

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  • Cotar - Vitovska 2017

    Cotar - Vitovska 2017

HOW THEY GOT HERE

Čotar is a family estate that grew from something very practical: making wine for their own restaurant. In the early days they were pressing the local wines that belonged to Kras life — especially Teran — and building their cellar literally into the rock.

The shift from “house wine” to a true domaine happened gradually. Their first wholesale bottling is tied to the late 1980s/early 1990s, and the cellar itself expanded in stages — always downward, always closer to the constant conditions of the underground.

Today the identity is clear and coherent: organic farming, slow cellar work, and a refusal to “finish” the wines into conformity. The fingerprint label is the perfect summary — not branding, but a personal seal.

Where The Wine Is Born

Kras is a plateau between the Vipava Valley and the Bay/Gulf of Trieste — the place that gave the world the word “karst.” It’s rocky, exposed, and shaped by wind, with vineyards sitting close enough to the sea that you feel the maritime influence even inland.

The soils are a big part of the personality: iron-rich red earth (terra rossa) over limestone, with a landscape that forces vines to work. Add the Bora/Burja wind and you get a natural recipe for freshness, dryness, and that stony, mouthwatering finish.

This is why the wines feel “architectural.” They aren’t built on sweetness or oak flavour. They’re built on site conditions, late harvest decisions, and long élevage that lets the tannin/phenolic side of the grapes settle into something steady and deep.

KRAS

How the wine feels

Karst Grip

Dry, stony structure — texture that feels carved, not cushioned.

Maceration Depth

Skin-contact complexity without heaviness — savoury layers, calm power.

Salt + Energy

A saline, mouthwatering line that keeps the wines light on their feet.

FOR THE NERDS

Čotar is an organic farm in the western Kras, based in the village of Gorjansko near the sea, working a total of 7.5 hectares across named sites (Pečina, Olarija, Dražna, Dušce, Polje, Kot, Ivanji grad). Planting here often means clearing forest, airing bedrock, and rebuilding soil on a karst landscape — which sets the tone for everything that follows.

The estate farms roughly a 50/50 split of red and white varieties, with dense planting (around 6000 vines/ha), single Guyot training, and deliberately low yields (roughly 3500–4000 kg/ha). Harvest is late (late autumn), with a stated goal of phenolic ripeness rather than just sugar maturity — crucial in a windy, rocky zone where tannin texture can define the final shape of the wines.

In the cellar, the method is consistent and very “Čotar”: from grapes through bottling and ageing, the wines descend deeper and deeper into the cellar (a practical way to avoid heat swings and reduce the need for pumping). Maceration length is not fixed — it’s vintage-dependent, decided by the winemaker rather than by recipe. Fermentations run spontaneously underground in barrels ranging from 200 to 2000 litres, with no selected yeasts. Importantly, the wine rests on its lees without any added sulphur until the first racking/decanting.

Ageing is long and intentionally slow in old, wine-soaked oak: whites a minimum of two years, reds between four and five years before release. The final stance is unapologetic: no filtration, and sediment is not treated as a fault — it’s treated as normal for wines made this way. The result is a house style that prioritizes Kras identity (salt, stone, wind-shaped freshness) and long, stable élevage over quick aromatic impact.

“I use my experience from the aligoté for the chardonnay and the pinot noir.”